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A Night With Peter Clothier

In Uncategorized on February 17, 2010 at 1:48 am

Persistence: Your Most Powerful Creative Tool

A presentation and reading from a new publication, Persist: In Praise of the Creative Spirit in a World Gone Mad With Commerce.

Reception: March 6th, 7-9pm.

This session addresses the predicament of creative people of all kinds—artists, writers, actors, musicians, dancers…–in a cultural environment in which success is most often measured in commercial terms, and where it is increasingly difficult for even the most talented to get a hearing.  In this context, we’ll be thinking specifically about the benefits for the artist of a disciplined mind and a commitment to practice—how to acquire and develop these qualities, and how to apply them to creating a life in art that will survive the vicissitudes of an art world dominated by market concerns.

A former art school Dean (Otis Art Institute, Loyola Marymount University) and a widely-published art writer, Peter Clothier brings the perspective of long experience and an empathy for the creative passion.

His new book, Persist: In Praise of the Creative Spirit in a World Gone Mad With Commerce, will be available for $15, cash only.

Reception is on March 6, 7-9pm or later.

In Uncategorized on January 17, 2010 at 2:39 am

DEFAULT STATE NETWORK

CURATED BY RYAN WALLACE

ARTISTS: Alex Dodge, Chris Duncan, Elise Ferguson, Glen Baldridge, Will Yackulic, Joseph Hart, Andrew Schoultz, Leslie Shows, and Ryan Wallace

Catalog by Land and Sea – inquiries email David De Boer – david.raidprojects@gmail.com

RAID PROJECTS LOS ANGELES

FEBRUARY 6-27, 2010

The problem of consciouness lies uneasily at the border of science and philosophy.

Conscious experience is at once the most familiar thing in the world and the most mysterious. There is nothing we know about more directly than consciousness, but it is far from clear how to reconcile it with everything else we know.

David J. Chalmers
The Conscious Mind In Search of a Fundamental Theory

This exhibition borrows its title from an area in the brain known as “the default state network”, a network of regions in the brain active when an individual is not focused on the outside world but rather in a wakeful-resting state such as daydreaming, speculating, or contemplating the past. It has been hypothesized that these regions play an essential role in creative thought. As Chalmers’ finds the definition of consciousness between philosphy and science, these artists’ works lead us to a similar border. A balance between aesthetic beauty and sound concept is made evident.

Combinations of craft, theory, humor, history and inventiveness are all used to effective ends. One would think that such criteria would be sufficient but it is not from the result of chemical properties or arrangements of pigment, manipulation of space, or dexterity of intellect alone that truly move us. The tone is more mysterious. Something is more ethereal. This something, as Chalmers describes, is so difficult to reconcile.

These artists examine systems. It might be said that these examinations play a role in and of consciousness. This group ponders the things that we are made of, the things that we believe in and the things that we do. Research begins at subatomic levels while cosmic and global themes are made evident elsewhere. Systems of geology, archealogy, physics, cognitive sciences as well as politics, sociology and niches of culture are examined. This data is filtered. This is the creative process. Perhaps the resulting actions of the inner workings of a default state network. These are works of perception both in how the artists have “perceived” their subjects as well as the internal states that this data arises in both artist and viewer. In some examples translation from source information to image or object holds great similarity. In others a like-minded visual language is spoken. An inquisitive and mysterious tone remains constant.

It is attention to specificity that allows each artist’s work to strike us with a plausible familiarity from “the hidden power of every day things” to the most seemingly abstract. Plaster formalism stares at us with an intensegaze. Landcape and figurative sculpture take on a spiritual tone. We are given glimpses into both the chance beginnings of life and of life’s end sardonically reduced to that of a scratch ticket with whispers in between.

Imagine a childhood game of Telephone beginning with “rocks” and ending with “spiritual machines”. In the game the result of each turn is only slightly altered through each interpretation. We hear a great differential from beginning to end made through a series of mental blips and auditory errors. By listening to each participants contribution to the chain we see a much smaller divide between these poles. We can explain how we heard “clocks” and that turned into “colic” which turned into “cow lick”, “bowing tick”, “moving truck” until the end of the line. These descriptions and recollections do not entirely explain the result. They describe it. The logic seems complete yet something is amiss, something else at play. Obvious but eluding a simple description. This apparent nonsense is the fun of the game. The mystery is the reason that children play it. As these artists make sense of the nonsense and logic of our world through their interests something is revealed beyond the sum of their works, something larger than these efforts. Something relevant beyond the role of any lone system.

Press and more photos at links below:

Ryan Wallace

Daily Serving

Try-Harder

Beautiful Decay

Daily Dujour

“That’s The Way I See Things” January 9-30

In Uncategorized on December 31, 2009 at 2:44 am

Dialogue with art critic Ezrha Jean Black (click on “That’s The Way I See Things” above to see video in full-screen)

That\'s The Way I See Things - Discussion

That\'s The Way I See Things - Discussion

This movie requires Adobe Flash for playback.

“That’s The Way I See Things…” opening January 9, 2010 at Raid Projects and featuring the work of three Los Angeles painters, Aska Iida, Comora Tolliver, and Constance Mallinson and the work of Philadelphia artist Jennifer Levonian. We are very excited about grouping these picture makers together because of what conversations their work will evoke and because of the tremors their work is making from a shared fault line. Iida’s candy colored images of pop figures and Tollivers disco birds create a language of false reality while Mallinson and Levonians work speak of vivid experience and a recombining of the world they occupy.  This forward looking dialogue is the spotlight of some kind of realism through each artists filtration system.

We are also excited to mention Southland Brewing Company will be providing the delicious artfully crafted beverages for your enjoyment.

Comora Tolliver

Aska Iida

Jennifer Levonian

Constance Mallinson

(if L.A. changed it’s name to Miami, we’d be there) Pink Flamingo Art Fair opens December 5, 7-10

In Uncategorized on November 30, 2009 at 5:47 am

Hello friends,
for all of you not going to Miami this weekend, Raid Projects has a treat for you to liven up an otherwise quiet and artless weekend in our fair city.  Saturday, December 5th, from 7-10, Raid will be hosting our own (sort of) art fair.

Our show, (if L.A. changed it’s name to Miami, we’d be there) Pink Flamingo Art Fair, will consist of four curated shows, by four Los Angeles galleries, under one roof.
Circus Gallery, Kinkead Contemporary, Five Thirty Three, and Raid Projects will all participate by bringing you choice art.

For the Raid submission to the show we have new work by Mark Dutcher, Angie Lacerenza, Alex Staiger, and a special commissioned Miami themed video projection and by New York based artist Chris Smith.

So dawn your white linen suit and your tropical shirt and come join us for a hot night of art, mojitos, and Caribbean tunes.

See you there.

Short Clip from Chris Smith’s video titled MAMILIA (view this video in full screen by clicking on “Pink Flamingo” in red text above). See more at www.chrisjanikula.com

mamil 12

mamil 12

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Here, Now, US

In Uncategorized on November 9, 2009 at 6:44 pm

 

hnumid

ARTRA @ T-Lofts

 

 

November 7th-28th

In Uncategorized on October 23, 2009 at 11:57 pm

burtlancaster

Raid Projects is very excited to present Los Angeles artists Gustavo Herrera and Spencer Douglas‘ curatorial project, “Burt Lancaster: an evening of painting, drawing, drinks and friends, with a tribute to the American male”, which opens on November 7th from 7-10.

The evening will consist of a fully participatory performance and art making, the ephemera of which will be displayed for the remainder of the exhbition.  We can’t divulge any more information as they want the evening to be a surprise, but rest assured it will be a great time.

 

 

 

IMG_0166 IMG_0170 IMG_0171 IMG_0179

Raid Projects Resident Group Show – Oct 24 and 25

In Uncategorized on October 20, 2009 at 4:13 am

PrintCome to the ArtWalk at the Brewery and see the Raid Projects Resident Group Show. This Saturday and Sunday the 24th and 25th of October we show off the fine works of the Raid Projects residents. Including the following artists: Ryan Callis, Dan Callis, Alexandra Crouwers, David De Boer, Max Presneill, Jason Ramos, Alex Staiger and Marika Tsircou. The event will be all day each day.  We get back on to our regular exhibition schedule on November 7th with the opening of a curatorial effort by Los Angeles artists Gustavo Herrera and Spencer Douglas.  More on that soon…….

Hello world!

In Uncategorized on September 3, 2009 at 4:10 am

raid flier

October 3 – 23, 2009

Main Gallery: Let There Be Light

Group Exhibition Featuring: 

Ami Tallman, Asad Faulwell, Brad Spence, David Ryan, Ichiro Irie, Kelly McLane, Peter Alexander, Rowan Wood

Opening Reception : Saturday, October 3rd 2009, 7-10 p.m.